POP-CULTURE COLUMN: How Canadians Have Enriched American Culture
By Dan Brown The United States of America doesn’t need Canada. That might be true. But in these tense times, a gentle reminder may be in order. Such a reminder could help to repair the fractured relations between our two nations by listing all the ways Canada (through individual Canadians) has enriched American culture over the decades. You can probably come up with your own list, so consider this one a starting point. It’s in no particular order. *Mary Pickford: America’s Sweetheart was born in Toronto. Hollywood’s first millionaire, she was one of the co-founders of the United Artists film studio, which was designed to be a haven for creative types where they didn’t have to answer to the studio bosses. She also helped found the Academy of Motion Picture Arts and Sciences, which lives on to this day in the form of the Oscars. James Cameron, to name just one example, is a Canadian who followed in Pickford’s footsteps, becoming a modern-day titan in Tinseltown. Imagine how many American jobs Canadians have created in Los Angeles! *The SCTV gang: John Candy, Catherine O’Hara, Rick Moranis, and others. They reflected a slightly skewed version of smalltown America – Melonville – back at American viewers, making them laugh and think about their own lives and institutions. *Dan Aykroyd, the Kingston funnyman who was on a mission from God to save the blues. The 1980 comedy the Blues Brothers came at a crucial time in the history of the blues, one of America’s truly original art forms. It helped to reignite interest in rhythm and blues music at a time when disco ruled. Aykroyd and his American partner John Belushi famously returned the royalties from their cover songs to the original artists, who had not been treated kindly by the record companies. If not for Akyroyd and Belushi, who knows how music history would have turned out. *James Naismith was born before Confederation and went on to be a McGill University educator before inventing basketball. Arguably the second-most popular spectator sport in the United States, basketball has generated billions of dollars in revenues for U.S. individuals and companies – where would Nike be without hoops? Professional basketball has now grown into a business with a global presence, inspiring leagues around the world. *Jim Carrey, Mike Myers, Tommy Chong, and others. They all make America laugh, which is no small feat. *Alexander Graham Bell invented the telephone. Yes, the Americans claim him, as do the Scottish, but let’s go ahead and lay claim to him anyway. The cellphone – evolving through the decades off of Bell’s origins designs – is arguably the most-used, most important invention on the planet today. Canada had at least something to do with its inception. *Justin Bieber was born in London and raised in Stratford, and went on to conquer the world of popular music at the beginning of this century! And he’s still at it! *Filmmaker Norman Jewison directed a long list of movies, becoming one of the most influential figures in 1970s America. If you zero in on just one of those films, In the Heat of the Night, you can see how he helped bridge the racial divide in the United States at a time of high tension between black and white Americans. For that movie alone, he is surely owed some props. *Lorne Michaels is one of the most powerful people in show biz. He took his idea for a late-night variety show to the TV powers-that be in the United States and turned it into an American cultural institution that has launched the careers of countless actors, writers and producers. I would love for a business-type person to try to calculate the economic impact of more than 50 years of Saturday Night Live, including the movie spinoffs the series has spawned. Honorary mentions: Neil Young (ally to one side or the other of the political spectrum), Margaret Atwood (warned against a theocratic future America), Marshall McLuhan (visionary media thinker who came up with the term “global village.”), Celine Dion (what would Las Vegas be without her?). When you look at a list like this, it’s hard not to conclude that Canada has had a bigger impact on the United States than any other country. Remember, the above are just a few examples. But who would you add? Leave your candidates in the comments! Dan Brown has covered pop culture for more than 34 years as a journalist and also moderates L.A. Mood’s monthly Graphic-Novel Group book club.
Live from London, it’s Saturday Night, mate!
By Dan Brown Although he mostly stays out of the spotlight, there’s one thing we know for sure about Saturday Night Live executive producer Lorne Michaels: He loves to put his name on other TV shows and movies. How else to explain the news last week that Michaels will be the executive producer for a British version of the sketch-comedy program starting next year? Even in our modern global communications environment, it’s going to be hard for Michaels to, you know, actually produce a TV show while living on another continent. Maybe the Canadian funnyman plans to jet over there to launch SNL UK in person. In the past, though, he has never strayed far from the NBC studio at 30 Rockefeller Plaza where the program he founded in 1975 is still broadcast weekly. Despite all of the side projects, including movie adaptations like Coneheads, It’s Pat and MacGruber, SNL is his baby and he’s protective of it. You would be, too, after 50 years on the air. Which doesn’t stop him from attaching his name to everything from last year’s Mean Girls reboot to a Nate Bargatze comedy special to the cult classic series Portlandia. In 1993, Michaels famously did Conan O’Brien a solid when the ginger comedy writer took over Late Night, loaning his on-screen credit to the incipient talk show to help give the untested O’Brien an extra push. Was Michaels actually involved on a nightly basis? Not really, but even back then he was a draw all on his own. Despite the majority of SNL sketches failing over the years, Michaels is viewed today as having as close as it comes in the entertainment industry to a golden touch. We Canadians remember how he was involved . . . somehow . . . when Kids in the Hall broke through around the same time as Conan’s show. But the question in front of us is: Does Michaels have enough influence to make a British-based SNL a hit? According to the Associated Press, the new show is being made in association with Sky Studios, and will feature an all-British cast using the same format – celebrity host, musical guest, parody news segment. It looks like it will be broadcast from London. Unseen by me, French, Japanese, and Italian iterations of SNL have failed quickly – strangely, a Korean version of SNL is still going strong. Longtime TV watchers will note that historically, it’s British shows that get remade for the American viewing public, not the other way around. It’s also worth noting that when the American version of SNL pokes fun at, say, the British Royal Family, those jokes fall flat – unless you happen to be a British subject living here in the colonies. Yanks just don’t know enough about British culture, as Canadians do, to appreciate the humour in those comedic jabs. Perhaps the Saturday Night Live brand, as opposed to Michaels’ own personal pedigree, has enough resonance abroad to ensure the spinoff stays on the air, once launched. Viewers across the pond have wide-ranging tastes – they are the ones who made shows like Spitting Image, Monty Python’s Flying Circus, the Young Ones, and The Office cultural touchstones. Surely American politics will be a staple every week, but do Brits really want one of their own mocking Donald Trump? I’ve seen the This Hour Has 22 Minutes Trump parodies, and they are not as funny as those that come live from New York every weekend. If it does come and go like the other foreign SNL versions, you can rest assured Michaels will not suffer. There have been rumbles about him retiring (I can’t see it happening), but the safe money is riding on many more years or even decades of Michaels slapping his imprimatur on TV shows, comedy specials and movies. A few of them may even be worth watching. Dan Brown has covered pop culture for more than 32 years as a journalist and also moderates L.A. Mood’s monthly graphic-novel group.
