By Dan Brown Spoiler warning: This review contains plot points involving Marvel characters, so if you value surprise stop reading now. If you’re a fan of big Marvel events – the company-wide crossovers that depict all of Marvel’s heroes uniting against a common foe – then you’ll love the collected One World Under Doom. It contains all nine issues from the main One World Under Doom title, which unspooled from February to November last year. The premise: Latverian dictator Doctor Doom takes over the planet, making the entire globe his domain. The unexpected reaction: Some people welcome the apparent Utopia Doom is offering. So not only do superheroes like the Thing, Captain America and Thor have to battle the armoured villain, but they also find themselves waging a public-relations war. “He’s given the world peace, health care, education, food security,” Squirrel Girl, a minor Avenger, laments at one point. Written by Ryan North with pencils by R.B. Silva, the series followed on the heels of another crossover, Blood Hunt. The anthology has a cover that’s a riff on a cover from 1977, the one for Super-Villain Team-Up No. 14. It shows the Fantastic Four, the Avengers, Spider-Man and the X-Men kneeling before their nemesis, who is not only a scientific genius, but was also the Sorcerer Supreme in the Marvel continuity of last year. In the early chapters, the good guys come across as complacent. Taking an invisible jet liner to Eastern Europe, they find it impossible to breach the magic bubble protecting Doom’s castle. What seemed like just another Doom ploy soon leaves the heroes without a good answer. As they continue to battle Doom’s allies, like his army of Doombots and assorted Hydra flunkies, his political support across nations grows. “We just need to make him look weak and silly and angry,” Johnny Storm (the Human Torch) reasons. Turns out doing so is easier said than done. Even such champions of justice as Thor, who is himself the monarch of Asgard, begin to question whether Doom being emperor is such a rotten development. Some of the chapters are told from Doom’s point of view, and one even contains a Jack Kirbyesque collage. Doom’s tangle with Dormammu is the artistic highlight of the book. Of course, not everything is as it seems. When the protagonists do finally find a way to get inside the castle, they find a massive complex beneath it where Doom has imprisoned the population of Latveria and is draining the life force from each resident, shortening their lives while boosting his powers. Valeria Richards, the daughter of Mister Fantastic and the Invisible Woman, plays a big role in the story. If you have been reading Marvel in recent years, you will know she is Doom’s goddaughter, and possibly the only other human being he cares about. She tries to talk him out of his plan, becoming collateral damage in the final battle scene. Big crossovers are now a staple of comic companies like Marvel and DC, and have been since the 1980s. If you’re hungry for some superhero action that may also provoke thought about current politics, check out One World Under Doom. Dan Brown has covered pop culture for more than 32 years as a journalist and also moderates L.A. Mood’s monthly graphic-novel group.
My purpose here isn’t to praise Gene Hackman’s acting skills, which were superlative, it’s to explain why his turn as Superman’s nemesis makes me itchy about the upcoming Fantastic Four movie. You likely heard Hackman had died. Since the news broke last week that his body had been discovered, there has been much discussion online about his greatest performance. Some argue he was at his peak in Hoosiers. Others say his most impressive turn came in The French Connection or Unforgiven or The Royal Tenenbaums. There’s so much to choose from. But for comic fans of a certain vintage, Gene Hackman will always be Lex Luthor.Starting in 1978, he played the crafty villain in three of the Superman movies that featured Christopher Reeves in the title role. Hackman brought a special blend of arrogance and charm to his version of the criminal mastermind, chewing scenery in a way that communicated to us young nerds that he was having a ton of fun inhabiting the bald bad guy. Wait, I just told you a lie. Yes, Lex Luthor is bald. But not when Hackman played him. And even though I wasn’t the biggest DC fan in the world, I understood enough of the Superman mythos to know that in the comics, Luthor had no hair. Heck, in some continuities Lex hates Supes because he blames the Kryptonian immigrant for his lack of locks. Hackman may have been an Oscar-calibre actor, but 10-year-old me just could not get past the hair. For whatever reason – perhaps the Superman producers wouldn’t pay him enough to shave his entire head – Hackman kept his own hair in those films. My educated guess is he didn’t want to go hairless, and since he was a big star his wishes were accommodated. What does this have to do with The Fantastic Four: First Steps, which is slated to land in theatres on July 25? Well, Hackman isn’t the only one with the requisite star power to avoid the barber’s blade. You can draw a line directly from Hackman to Pedro Pascal, who plays Mister Fantastic in the FF film. In the trailers and publicity photos we’ve seen so far, Pascal appears with his moustache intact. I fear the folks at Marvel Studios are humouring the Chilean-born actor by not demanding he shave. Granted, it’s a great moustache. For Pascal the celebrity. Not for Reed Richards the cerebral hero. As any fan of the Fantastic Four comics know, the FF leader is clean-shaven – with flecks of grey in the hair above his ears. That’s been his look, more or less, since the Marvel Age was launched with the publication of Fantastic Four No. 1 in 1961. It’s true in a handful of stories Reed is pictured with a beard. He has never, however, been one to rock a 1970s-style stache, no matter which artist is drawing him. Reed is a serious guy, not given to vanity, which is why in all the big-screen adaptations to date, he is free of facial hair. So you can see the problem: Hackman set a precedent that Pascal is following, and it’s got me worried I won’t be able to see past the whiskers when July rolls around. I agree bringing Pascal into the Marvel fold was a good idea. And who knows, there’s so much we don’t know about the FF movie. Maybe the stache disappears at some point in the film. Or perhaps this is a Sonic the Hedgehog situation and the production team will remove the facial hair using CGI before First Steps is released because fans like me are upset. If the producers want a really cool way to get rid of it, have Reed’s brother-in-law, the Human Torch, laser off the moustache the same way he gave the Submariner a shave and haircut way back in Fantastic Four No. 4. Or have Galactus blast it off. Or maybe it comes off when the FF joins the main Marvel Cinematic Universe, as is rumoured. There’s no question both Gene Hackman and Pedro Pascal ooze charm on the big screen. But just as I could not accept a Lex Luthor with a full head of hair back then, I won’t accept a Mister Fantastic with a bushy moustache this summer. No matter how much the Marvel brain trust needs for the FF movie to be a winner at the box office. Dan Brown has covered pop culture for more than 32 years as a journalist and also moderates L.A. Mood’s monthly graphic-novel group.