The Fantastic Four, The Thing, and Lou Reed

The Fantastic Four, The Thing, and Lou Reed

by Gordon Mood Fantastic Four, Lou Reed, Pedro Pascal, Reed Richards, The Thing

By Dan BrownIt’s official: Pedro Pascal will play Reed Richards, also known as Mister Fantastic, in the upcoming Fantastic Four adaptation, expected in 2025.But this column isn’t about Pascal. It’s about another Thing entirely.As Hollywood history shows, the Fantastic Four property is easy to screw up, hard to get right. Considering recent signs Marvel’s superhero offerings are wearing out their welcome on both the big and small screens, the studio is taking a big risk. Also announced last week was Ebon Moss-Bachrach, a performer not known to me, will play Ben Grimm.I don’t have any brilliant suggestions for Marvel Studios beyond the obvious: The FF are a family, not just another team of superheroes. That’s what makes them different from the Avengers.I do, however, have a dream sequence in mind. All I humbly ask from Marvel’s big brains is they include what I describe below. No biggie.By dream sequence I don’t mean an actual dream, I mean it’s been playing in my mind for years in anticipation of another FF movie. I don’t much care about the rest of it, so long as I get a scene of the ever-loving and always-clobbering Thing walking down a crummy and litter-strewn Yancy Street in New York.That may not sound like gripping cinema, so let me explain.The first thing you need to know is how, according to online rumours, the FF movie is going to be a period piece set in the 1960s, which makes sense since the first FF comic ushered in the Marvel Age when it came out in 1961. Another rumour has it the film’s story unfolds in dual storylines, past and present.Given that, and given the FF making the Big Apple their home, this is what I would like to see.It’s later in the film. Ben Grimm has come to a level of acceptance of his fate: He will never be human again, he is destined to be a monstrous pile of orange rocks after the team’s disastrous experimental flight into space. He leaves the Baxter Building. He is wearing a trench coat and pulls his hat down as low as it will go – he’s still self-conscious about his appearance.He shuffles his bulk along the sidewalk. Maybe he lights a stogie. Then the strains of Lou Reed’s Walk on the Wild Side start to play. The song, Reed’s ode to sexual freakery, came out in 1972, so it just fits in the timeline of the film and is the soundtrack to this scene.As Grimm lumbers in his childhood neighbourhood, we see people outside shops, pedestrians walking the other way, families sitting on stoops. Close up on the crowd. We see faces of different races and ethnicities. We see a spikey-haired punk rocker with a safety pin in her nose. We see a drag queen strutting proudly. Weirdo after weirdo.Then a call back to Frankenstein: A ball crosses Grimm’s path. He picks it up and tosses it back to an Asian child playing with his Black friend. The kid smiles. Grimm smiles back.Viewers get the point: This is where Grimm belongs. He isn’t as singular as he has come to think. He is just one more freak in a metropolis populated by freaks.In fact, New York is the only place he could belong: Grimm thinks he’s ugly and deformed, but in the hyper-diverse Lower East Side of Manhattan, it doesn’t matter.Such a scene would mark an important transition for the Thing, who is probably my favourite superhero. Do I think director Matt Shakman will actually borrow my brilliant idea? Naw, but a fan can dream.And judging by the many failed attempts to translate the Fantastic Four story into motion-picture form, he’s going to need a lot of help.Dan Brown has covered pop culture for more than 31 years as a journalist and also moderates L.A. Mood’s monthly graphic-novel group.

Pedro Pascal a Meaningful Choice to Play Reed Richards

Pedro Pascal a Meaningful Choice to Play Reed Richards

by Gordon Mood Dan Brown, Fantastic Four, Marvel Cinematic Universe, Movies, Pedro Pascal

By Dan BrownDepending on which news source you believe, Pedro Pascal may be the next actor to play superhero scientist Reed Richards, the pliable leader of the Fantastic Four also known as Mister Fantastic.Just the fact the big brains at Marvel Studios are talking to Pascal tells us two things.First, Marvel wants to get the next Fantastic Four movie right.Second, the Marvel brain trust realizes they are in a slump.If Pascal does get the part, it would be a good sign for the many millions of Marvel movie fans on this planet. The Chilean-born performer is known for his acting on shows like The Mandalorian, The Last of Us, and Game of Thrones, as well as for giving Bad Bunny a helping hand during the musician’s Saturday Night Live appearance last month. In addition to being hugely popular, Pascal is immensely talented. It’s no surprise Marvel’s bosses want to tap into his star power. He is one of the few actors who could pull off the role; Richards is not exactly an exciting character, being part genius and part rubber band. Pascal would bring excitement, humour, and gravity to the part.Pascal can take comic-book dialogue – “We’ve got to get to the bottom of his strange powers, learn how to control them. After all, Sue, he’s our only son” – and sell it. The fact he brings Star Wars enthusiasts, gamers and other fandoms to the table is an added bonus, and I’m sure part of the calculus for why Marvel is apparently in discussions with him.Longtime Marvel fans know that the Fantastic Four is, well, a tricky property to get right on the silver screen. If I am counting correctly, there have been four attempts to make movies based on the title Stan Lee dubbed “the world’s greatest comic magazine.”The Roger Corman-directed first shot wasn’t even meh enough to get a video-cassette release. The second and third were B movies constrained by their low budgets, and the most recent attempt is considered an abomination in the sight of the few fans who paid to see it.Is a new Fantastic Four movie a special-effects picture? Is it a family story? Is it a comedy or a drama? It’s all of those. And no filmmaking team has yet been able to get the tone of the Fantastic Four right. Even more significantly, adapting FF for the big screen means bringing one of pop-culture’s great villains, Doctor Doom, into the mix.Nor can anyone ignore the context these reported talks are taking place in. The Marvels, the latest feature film from the studio, had the worst debut in Marvel Cinematic Universe history when it landed in theatres earlier this month, failing to clear $50 million in its opening weekend. It also had the worst second weekend in MCU history, despite strong word of mouth.Not all of this can be blamed on the recently concluded strike by Hollywood actors, which prevented stars like Brie Larson from hitting the talk-show and podcast circuit to drum up interest in the motion picture. Superhero fatigue is a real thing, but don’t take my word for it. I wrote in the spring in this space about how Disney CEO Bob Iger feels the Marvel brand has been “diluted” over the pandemic by the release of too many streaming shows. Think Hawkeye, Falcon and the Winter Soldier, Loki, Moon Knight, She-Hulk and on and on. Fantastic Four is one of the richest potential mines left for Marvel Studios to plunder. The downside of getting it wrong is huge. The potential upside? If they get it right, a Fantastic Four movie starring Pedro Pascal just might save the company. Dan Brown has covered pop culture for more than 30 years as a journalist and also moderates L.A. Mood’s monthly graphic-novel group.

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