Graphic-novel Gift Guide
By Dan Brown I love giving (and getting) graphic novels and comics at Christmas! As you’re shopping for family and friends this festive season, I’ve got some suggestions on which books to get the different people who made your list. Check it out! For the newbie graphic-novel reader: I would recommend a starter pack of Watchmen, The Dark Knight Returns and Maus. Released at roughly the same moment in the 1980s, these are the foundational graphic novels – along with Will Eisner’s A Contract With God – that showed comics could be taken seriously. For the superhero fan: I would give this person Irredeemable from Boom! Studios. Written by Mark Waid, it takes a look at what happens when an all-powerful hero in the mold of Superman goes off the rails. For the fan of Canadiana: Maurice Vellekoop’s I’m So Glad We Had This Time Together is a gay coming-of-age story set in Toronto and includes a lot of history about the queer community in the Big Smoke. There’s also Kate Beaton’s Ducks: Two Years in the Oil Sands, set in Alberta’s Oil Patch. For the fan of local talent: Derek Laufman has books like Bot 9 and The Witch of Wickerson for kids, plus titles such as Crimson Fall: The Shore Tower for mature readers. He recently published the first issue of The Rats of Ironwood and has taken over art duties on Skottie Young’s I Hate Fairyland series. A Byron resident, Laufman is as local (and as good a creator) as it gets. For the fan of overlooked gems: Get this person on your list anything Mouse Guard, Londoner Bryan Lee O’Malley’s Seconds, or Southwestern Ontario native Jeff Lemire’s The Nobody, the latter of the three being a re-telling of the H.G. Wells novel The Invisible Man in a small town. For the history buff: Maybe I’m in the minority, but I had not heard of Eadweard Muybridge, the pioneering photographer who was also involved in one of the most notorious murder trials of the 1800s, until Quebec graphic novelist Guy Delisle published this biography. A fascinating character whose story is told in a fascinating way. You could also try Scott Chanter’s Two Generals, about the D-Day invasion told from the perspective of two Canadian grunts. For the political buff: Are You Willing to Die for the Cause? is the first of a two-volume history of the FLQ, the separatist terrorists who are portrayed by veteran cartoonist Chris Oliveros as a bunch of stumblebums. For the art lover: I came relatively late to Dean Motter’s Mister X. Check out Mister X: The Archives or Mister X: The Modern Age, with its glorious retro look, billed as “a fusion of film noir, Art Deco and German Expressionism.” All of those elements combine to make a comic that will live in your imagination for a long time. And Los Bros Hernandez worked on some of the early issues of this Canadian classic! For the lover of the printed word: Anything, really, by Hamilton’s Joe Ollmann. If you want a starting point, try some of his short graphica, for instance Happy Stories About Well-Adjusted People. If you like what you read, move on to Fictional Father and The Abominable Mr. Seabrook. Don’t get me wrong, I love Joe’s art, too, but there are few comic creators whose voice comes through as clearly as Ollmann’s does. For the one who loved this summer’s Superman movies: The James Gunn film was based on a number of storylines, including All-Star Superman, Superman For All Seasons and Superman: Birthright. If you can find a compilation of John Byrne’s 1980s run on Superman, this person on your list will likely enjoy that one, too. For the one who loved The Fantastic Four: First Steps this summer: The Essential Fantastic Four Volumes 1-5 were the source material for this movie, with its retro-futuristic look. The new motion picture was dedicated to artist Jack Kirby, and these five volumes contain his entire influential run on the title with Stan Lee. For the one who is looking forward to Avengers: Doomsday next year: See my Fantastic Four recommendations. Also the Essential Super-Villain Team-Up Volume 1 and the individual issue The Invincible Iron Man No. 150 – in which Doctor Doom faces off against Iron Man. For the music fan: Scott Chantler’s Bix, Rush: The Making of a Farewell to Kings and David Collier’s Topp: Promoter Gary Topp Brought us the World. For the person who’s impossible to buy for: Why, a gift certificate, of course! So that’s it for my suggestions for this year. Are there any graphic novels/comics you are giving this year, or hoping to see under the tree? Let me know in the comments! Dan Brown has covered pop culture for more than 32 years as a journalist and also moderates L.A. Mood’s monthly graphic-novel group.
Compact Edition Not Quite Watchmen Babies
By Dan Brown When it comes to comics, size matters. But not as much as paper quality. That’s my conclusion after checking out a mini-edition of the classic Alan Moore/Dave Gibbons graphic novel Watchmen. Published under the DC Compact Comics banner, the smaller reprint contains all 12 issues of the 1986 tale about a superhero murder in an alternate America teetering on the edge of nuclear war with Russia. I found the compact edition didn’t suffer for the reduction in size. Powerful scenes, like when Doctor Manhattan zaps Rorschach into oblivion, still pack a powerful punch. I have feeble middle-aged eyes, but I could still read the dialogue without straining. All that said, I still prefer the original edition. The only real advantage the compact version has is its portability. If I was taking Watchmen to read on a beach on a hot summer day, I’d reach for the smaller one. (Of course, if I took Watchmen to the beach, I’d be a deeply weird individual.) How much smaller are we talking? The Compact Comics edition measures 5.5 by 8.5 inches and has a cover price of $13.50. Compare that to the regular size, which measures 6.75 by 10.25 inches, and set me back $22.99 when I picked it up a number of years ago. (Both of them are paperbacks.) If you’re thinking “Don’t odd-size comics have a long history?” you’d be right. Growing up in the 1970s and going to the grocery store with my Mom, I’d see mini-digests of Archie comics at every checkout. I never bought even a single one. I suspect even today, it doesn’t matter much what size Archie comic you buy, the characters and stories likely land the same. But also in the Seventies, if a comic was momentous enough, it would be published in a huge oversize treasury edition (10.5 by 13.5 inches). Those ones were reserved for “event” stories, as when Superman fought Spider-Man in the first DC/Marvel crossover. When Superman squared off against Muhammad Ali in the boxing ring, that story also got the oversize treatment. Naturally, those bigger comics came with a premium price. The one shame about the tiny Watchmen book was the cheaper paper DC used, which diminishes the effect of its colour scheme. Colour artist John Higgins is the unsung hero of Watchmen, and his powerful colouring doesn’t get the props it deserves as an essential part of the Watchmen reading experience. He specifically chose a non-traditional superhero palette, and the story’s impact is lessened with the switch. Doc Manhattan, to name one example, just isn’t as otherworldly when the luminescent blue covering his body is toned down on the duller paper. Watchmen remains one of the best-selling comics of all time. It continues to top sales charts decades after it was published, first as a monthly comic, then a collected graphic novel. So my bottom line is, if a smaller version helps comic stores to move product, then it’s a good thing. If it turns newbies onto Watchmen, or even turns people into fans of the medium in general, then I’m all for it. I’m sure Alan Moore would have something angry to say. Dan Brown has covered pop culture for more than 33 years as a journalist and also moderates L.A. Mood’s monthly graphic-novel group.
